Archive for the ‘Qatar’ Category

Manar Al Muftah

January 28, 2008

Manar Al Muftah is our 2nd artist to be featured as part of Fann 3arabi for the Rising. Manar doesn’t currently have an online portfolio so this post will include as much as possible of Manar’s work as she supplied – in addition to her customised header for Fann 3arabi. Manar is a Qatari artist that graduated from Virginia Commonwealth University in Qatar with a Bachelors Fine Art degree in Graphic Design.

Manar describes her first experience with printing to lack texture and ‘handmade’ feeling to it, so she experimented in creating a collage from other printed elements as she glued them to the original poster and since then she realised how much she values the handmade work. Afterwards, she found her other passion which was Arabic calligraphy. She said to become fascinated by the shapes of Arabic letters. With her previous experience in creating collages and such, she decided to carry out a project showing textures that represent historical aspects of those letters.

Manar spent months on that project, meanwhile she developed her own printing techniques that enriched her work and gave the letters a sophisticated vintage old look. After those four months, her handmade book was done, titled Alefba. Manar worked out her experience in handmade books to produce her senior portfolio and she is expected to be having an exhibition in September 2008 about the Arabic alphabets.

Here is a collection of her work:

Photos of Her book:

Photos of her Senior Profile:

Here’s a brief written by Manar about her exhibition:


Arabic is deeply rooted in my repository of memories. I always remember learning the Arabic alphabet when I was a child. This alphabet was more than a collection of letters. The curviness and the smoothness of the many letters together wove a story in my child’s mind. Raa was a girl’s braid, and lam was my dad’s fishing hook.

We, as native Arabic speakers, rarely pay attention to our Arabic alphabet. Because we were born to speak and write in Arabic, we never examined the forms and shapes of those letters. My own perception of letters has changed tremendously. I don’t see letters as figures anymore.

Three years ago, I never thought about the letter nuun. Today, nuun is more than a letter. It is a crescent, a bowl of sadness, a bag of flour, and my lucky talisman!
Each letter has its own story; each articulates a rhythmic music, and each has an identity: some have one dot, while others have two, and one single letter has three dots: thaa. And each of the three dots is different from the other!

We are used to looking at joined letters, which form words. But we hardly ever see separate letters set individually. When we see faa by itself, it helps our eyes to move freely from the dot to the body forming an image in the mind. One will see a boat. While the other will see a lucky charm! Each letter is unique and has a visual impact on us.

Each has a magical power!

Calligraphy is considered one of the richest resources of many artists from the Arab world. Today, many contemporary artworks differ from one artist to another, but no Arab artist can completely deny the influence of calligraphy. The Arabic alphabet provides me with a variety of potentials to express the artistic identity of Arabs. My work seeks not to present the technicality, but to honor the world of the alphabets. I tried to give each letter the value it deserves, and expose it to the contemporary world. My artwork is very intimate! Each piece is part of me! Each is a precious memory of my childhood, and each is a lucky charm!